I as soon as met Georgia O’Keeffe. This became into unprecedented to attend out, and I belief of because it an achievement.
It became into within the early nineteen-seventies, after I became into in my early twenties. I became into working at Sotheby’s, in Fresh York, within the American art work division. Plan to be one among many points I did there became into catalogue the works that we supplied. I held every picture in my fingers, felt its shape and weight. I measured and described it, recording the medium, condition, signature. The date. The provenance and exhibition historical past. I came to know the works very neatly.
For the length of this time I had begun to jot down about American art work. I became into particularly drawn to the modernists, these early-twentieth-century artists who were part of the rising tide of abstraction. I wrote about various contributors of this neighborhood—Marsden Hartley, Arthur Dove. I desired to jot down about O’Keeffe, nevertheless this became into refined. She held the copyright to a amount of her art work, so it became into most predominant to inquire permission from her in picture to breed them. This became into one reason that no longer ceaselessly slight scholarship had regarded on her: How can additionally you write a book about art work without the uncover of photography? One other reason became into the confusion that permeated predominant response to her work till neatly into the sixties. All these plant life! Grew to modified into as soon as she a professional artist or a low-payment sentimentalist? The work became into so straightforward to take care of—can additionally or no longer it be notorious? She became into scorned by the fellows, and, whereas you wished to be taken seriously as a scholar, it regarded unhealthy to jot down about her.
One other reason within the attend of the paucity of writing about O’Keeffe became into her revel in inaccessibility. She lived in a tiny village in rural Fresh Mexico and barely gave interviews. Seclusion and withholding were part of her persona. She became into now no longer drawn to publicity, and it be miles alleged that she as soon as refused a quiz for a one-person tag at the Louvre. Appropriate right here became into a paradox: the work, so intimate and enticing, even accessible, and the artist, so a ways-off and self-managed, clothed in excessive sad and white. The thriller gave O’Keeffe a roughly charged glamour. A sighting became into a notorious match.
That season, Sotheby’s had bought an O’Keeffe painting of Canadian barns. It had been performed within the early nineteen-thirties: two gloomy grey constructions in a frigid panorama. I catalogued it, and requested Doris Bry—O’Keeffe’s deepest agent, who had as soon as been the assistant to Alfred Stieglitz, O’Keeffe’s dilapidated husband—for files on it. Later she known as me.
“Mrs. Alger,” she acknowledged (for that became into my title then), “that is Doris Bry.” After all I knew who it became into. She had a dry, gravelly picture, very distinctive, with a Waspy trace. “I’m calling relating to the painting of Canadian barns.”
“Certain, Miss Bry.” I dilapidated my formal, fluty, professional tone. “How can additionally I mean that you may maybe?”
“I’d resolve to revel within the painting brought over to my condo.”
Doris Bry lived in an condo within the Pulitzer mansion. This became into a large Beaux-Arts constructing, finest a pair of blocks a ways from our offices on Madison Avenue. However it absolutely fully didn’t topic how end she became into. “I’m so sorry, Miss Bry,” I acknowledged, “nevertheless our insurance coverage insurance policies don’t enable the works to transfer away the premises till they’ve legally modified fingers. Within the occasion you’d resolve to enhance somebody in to survey the painting, I’ll be elated to revel in it brought out to the viewing room and manufacture aside up on the easel. Then all but again I will’t enable the painting to transfer away our property.”
“Mrs. Alger,” Miss Bry acknowledged, “the artist is right here. She would resolve to survey the painting.”
“I’ll be there in ten minutes,” I acknowledged, in my usual picture.
I known as storage to revel within the painting brought out. I had it under my arm and became into strolling down the corridor on my map to the doorway door after I met my boss.
“What are you carrying?” he requested.
“Canadian barns,” I acknowledged, striking a stop the physique protectively.
“The connect are you going?” he requested. “It may maybe per chance probably well also maybe perchance neatly perchance’t proceed away the premises.”
“The artist needs to survey it,” I acknowledged.
My boss manufacture aside out his hand. “I’ll map end it.”
“I answered the phone,” I acknowledged. “I’m taking it.”
With the painting under my arm, I walked down Madison Avenue to the Pulitzer mansion. Doris Bry ushered me into her condo. She became into a kindly, stately lady, moderately ponderous. She had gloomy eyes, faded, lightless pores and pores and skin, and a mass of rapid grey curls. She brought me into the lounge, where there had been three americans—two attorneys in gloomy suits and an older lady. Bry launched me.
“Appropriate right here’s Mrs. Alger, from Sotheby’s.” The woman nodded pleasantly nevertheless acknowledged nothing. She became into powerful smaller than I, which a unbelievable deal surprised me. She had a lined face, gloomy, hooded eyes, and prolonged silvery hair coiled into a low bun. She wore a grey cotton housedress with a white collar and a slim self-belt. On her feet, she wore flat sad Chinese language language slippers, with straps all around the insteps.
All americans watched as I carried the painting all around the room and draw it on the easel. The tiny lady came with me, nevertheless Bry and the attorneys stood within the attend of the room, speaking. Georgia O’Keeffe and I stood in entrance of the painting. She regarded quietly at the canvas, as despite the undeniable truth that it were part of her, as if she were by myself with it.
I stood silently beside her. Then all but again that wasn’t enormous. When americans meet somebody notorious, assuredly they recall to inflect themselves upon the moment, to impose their revel in identities upon that of the notorious person. They dispute, “I grew up in your town,” or, “I in actuality revel in that associated scarf,” or, “I met you as soon as in a attach collectively draw.” It’s a hopeless enterprise.
“I’m hoping you resolve care of the physique,” I acknowledged. I had ordered it myself. It became into a straightforward silver half of of clamshell, the kind that Arthur Dove had dilapidated. I knew O’Keeffe had appreciated Dove and had admired his work. I knew she’d resolve care of the physique. She’d be grateful. This became into my moment.
She answered without turning. “I resolve care of them finest without frames.”
I acknowledged nothing extra. She stood having a to safe at the painting, restful and fully self-possessed. I guess she became into carrying a sad sweater, a skinny slight cardigan, now no longer buttoned up.
She’d had been in her early eighties then.
With regards to twenty years later, within the spring of 1986, I became into residing in northern Westchester County. We had moved there ten years earlier, my family and I. We were out within the nation, in an faded farmhouse with a large barn and some fields. Residing with us were four or 5 horses, two or three canines, and some obedient cats. My daughter became into fourteen. I had left the art work world.
One evening, my husband, Tony, came house from town and positioned me within the kitchen. He became into in his alternate swimsuit, restful carrying his briefcase.
“I in actuality revel in something to give a proof for you,” he acknowledged. On the attach collectively popping out, he’d sat subsequent to a predominant payment friend of ours, Edward Burlingame, who became into the editor-in-chief and writer at Harper & Row. Edward had acknowledged, “Georgia O’Keeffe has real died, and there isn’t a large biography of her. Who characteristic you resolve we must inquire to jot down it?”
Tony talked about me. Edward acknowledged that he knew I wrote fiction, nevertheless he wished somebody who knew about American art work. Tony rapid him that I did. Edward acknowledged he’d protect it in thoughts.
When Tony performed the yarn, I shook my head. “Thanks for suggesting me, nevertheless he’s being neatly mannered. Appropriate right here’s Harper & Row, and it’s a large deal. They’ll resolve on a museum curator, or anyway somebody with a graduate stage. No longer somebody who’s real printed a pair of articles and catalogue essays. So he got’t inquire me. And, if he did, I’d dispute no. I became into writing about art work because my fiction wasn’t being printed, nevertheless now it be miles. I in actuality revel in a fresh popping out, and I’m performed with art work. So, thank you for suggesting me, nevertheless, first, he got’t inquire me, and, 2nd, if he did I’d dispute no.”
Tony acknowledged, “Successfully, I desired to give a proof for you.”
“Thank you,” I acknowledged in every single place all but again.
That became into on Friday. On Monday, Edward known as and requested if I’d be drawn to writing the biography of Georgia O’Keeffe, and I acknowledged yes.
That became into the foundation. After many conversations, and a written proposal, Harper & Row geared up me a contract. A quantity of assorted writers had begun writing books about O’Keeffe, and timing became into key. “Your book desire to be the principle one to reach attend out,” Edward rapid me, “or within six months of the principle, or it got’t be reviewed.”
And so I started the project. I did powerful of the archival study at the Beinecke Library, at Yale, which holds the obedient O’Keeffe-Stieglitz archive. There, I labored in restful silence for the length of the alabaster partitions, leafing thru papers and pictures; discovering out prolonged, chatty, deepest, excessive, silly, heartfelt, and considerate letters; discovering out an elegant neighborhood of kinship, friendships, and professional relationships. I loved these events vastly. The reverse roughly study—interviews—became into a ways extra annoying, because it supposed assembly with strangers. There had been proceedings under map, relating to O’Keeffe’s will and her inheritance, and emotions within the O’Keeffe neighborhood ran excessive. Some americans took aspects, and after they came upon that I had spoken to somebody on the opposing facet, they refused to level of interest on to me. Assorted pals and colleagues were loyal to O’Keeffe’s prolonged tradition of silence towards strangers and refused to level of interest on to me.
Then all but again her family, after they had met me and browse other points I’d written, agreed to level of interest on. I met various contributors, and then I became into given the obedient honor of three days of interviews with O’Keeffe’s one supreme sister, Catherine O’Keeffe Klenert. Klenert became into then in her nineties, dilapidated and white-haired, nevertheless fully cogent.